




The history of the 1960s folk-rock era swirls with the turmoil of short-lived groups, unexpected collaborations, and unrecognized influences. As an artist, an encouragement to other artists, and a source of lyrical inspiration for a few more, Judy Collins sails serenely as the eye of the folk-rock storm. You could pluck out many artists from that period and still have a coherent story, but Judy Collins, like Bob Dylan and Joni Mitchell, forms much of the framework of the tale.
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2009: Dec
2010: Feb Mar Apr |
| Event | Location | Date![]() |
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| Judy Collins |
Sheldon Concert Hall
East Saint Louis, IL |
December 5, 2009
Saturday 8:00 pm
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| Judy Collins |
Irvington Town Hall Theater
Irvington, NY |
December 13, 2009
Sunday 7:30 pm
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| Judy Collins |
Birchmere Music Hall
Fairfax, VA |
December 16, 2009
Wednesday 7:30 pm
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| Judy Collins |
Whitaker Center
Harrisburg, PA |
December 17, 2009
Thursday 8:00 pm
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| Judy Collins |
McCarter Theatre Center
Princeton, NJ |
February 19, 2010
Friday 8:00 pm
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| Judy Collins |
Town Hall Theatre
New York, NY |
March 5, 2010
Friday 7:30 pm
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| Judy Collins |
Canyon Club
Agoura Hills, CA |
March 18, 2010
Thursday TBA
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| Judy Collins |
Lancaster Performing Arts Center
Lancaster, CA |
March 19, 2010
Friday 8:00 pm
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| Judy Collins |
Lewis Family Playhouse
Rancho Cucamonga, CA |
April 24, 2010
Saturday 8:00 pm
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| Available Judy Collins events displayed above. | |||
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Hailing from Seattle, where she was born in 1939, Judy wound up in Denver for her teen years, where her father worked in radio. A childhood classical pianist, Collins settled on folk music as her recording medium and released A Maid of Constant Sorrow in 1961. She included old folk songs from England and Ireland in this album and her next one, The Golden Apples of the Sun, from 1962. The turning point in her material was on 1963's Judy Collins #3, where she recorded material by Bob Dylan, Shel Silverstein and Pete Seeger, whose 'Turn! Turn! Turn!' included guitar work by Roger McGuinn, who later turned the song into a #1 hit for his own group, the Byrds.
Now that she had mastered modern folk and was dabbling in the emerging protest-song movement, Judy Collins turned her sweet soprano to more elevated works as well. Her 1966 album, In My Life, covered the title tune from the Beatles, and she also sang songs by Leonard Cohen and Jacques Brel on this set. By broadening her range of sources for material, Collins set herself up for the next stage of her career, which led to several gold albums.
In 1967 she released Wildflowers, her first gold album (though In My Life eventually reached gold status). Her single from the album, 'Both Sides Now,' helped to cement Joni Mitchell's status as a songwriter and reached the Top Ten at the end of 1968. 'Both Sides Now' won the 1968 Grammy for Best Folk Performance. Now considered a classic of the era, this recording gave Judy Collins iconic status in the musical world outside of the folk artists in her circle. At this point, fans were buying tickets just to hear this song.
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