




The 1970s saw a boom in geographical band names: jazzy, urban Chicago; gritty, rocking Boston; rootsy, countrified Alabama; and progressive, ultra-artsy Kansas. If the connections break down at this point, it's because Kansas strove from the start to create richly orchestrated music that rocked hard: perhaps people just don't associate that kind of energy with Kansas farmland.
| 2008: May Jul Aug |
| Event | Location | Date![]() |
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| Kansas |
Frederick Brown Jr. Amphitheater
Peachtree City, GA |
May 17, 2008
Saturday 8:00 pm
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Find |
| Kansas |
Grand Chapiteau at Sam Houston Race Park
Houston, TX |
May 31, 2008
Saturday 8:00 pm
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Find |
| Kansas |
Bergen Performing Arts Center
Englewood, NJ |
July 25, 2008
Friday TBA
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Find |
| Kansas |
Montana Expo Park-Four Seasons Arena
Great Falls, MT |
July 31, 2008
Thursday 9:00 pm
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Find |
| Kansas |
Pepsi Cola Roadhouse
Burgettstown, PA |
August 7, 2008
Thursday 7:30 pm
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| Kansas |
Cerritos Center
Cerritos, CA |
August 27, 2008
Wednesday TBA
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Find |
| Kansas |
Jackson Rancheria Hotel and Casino
Jackson, CA |
August 28, 2008
Thursday TBA
|
Find |
| Available Kansas events displayed above. | |||
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The nucleus of Kansas'”Kerry Livgren (guitar), Dave Hope (bass) and Phil Ehart (drums)'”were high-school band mates. Robby Steinhardt (violin) joined them in 1971, and the band changed its name from Kansas to White Clover. A year later, Steve Walsh (keyboards and vocals) and Richard Williams (guitar) arrived. Apparently 'White Clover' didn't suit the newcomers, as the band renamed itself Kansas. Prepared to conquer the music world, the sextet started playing Kansas bars with original progressive material.
After a couple of years of grinding out their tunes to dazed and confused crowds, they developed enough of a fan base to interest Kirshner Records, home of the Archies. While the first album, Kansas (1974), was not a big hit, the band promoted it thoroughly and sold a lot of tickets to budding fans. Album sales grew to match the tickets, and, finally, 1976 brought the success for which Kansas had been striving.
In fact, Kansas became very big very fast when they released 'Carry On Wayward Son' in early 1977. Though the single just missed the Top Ten, it went gold and owned the airwaves all spring. The British-style progressive keyboards, violin, and powerful guitars underpinned sharp vocal harmonies, and the record-buying audience was ready enough to send the album, Leftoverture, to triple-platinum (eventually sextuple-platinum) status. By now, Kansas tickets were as scarce as skyscrapers in Manhattan (Manhattan, Kansas, that is).
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